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Amplifying BIPOC Drag Voices

This research is influenced by interviews conducted with contemporary drag kings, which have revealed a significant underrepresentation of BIPOC performers. Through extensive interviews across the U.S. and Canada with drag artists of color, recurring concerns have emerged about systemic barriers, particularly challenges in securing bookings at venues that predominantly feature white performers. These obstacles not only limit opportunities for individual BIPOC drag kings but also perpetuate a broader lack of racial diversity and inclusivity within the drag king scene, raising critical questions about the intersections of race, privilege, and gatekeeping in performance art. Therefore, I will investigate the structural and cultural factors contributing to this marginalization, examining how these barriers affect visibility, access, and representation. By exploring the intersection of race and gender performance, I aim to illuminate the experiences of BIPOC drag kings navigating their identities and artistry within a predominantly white drag culture. This work seeks to amplify their voices, often overlooked in mainstream queer spaces, while contributing to broader conversations about equity, diversity, and inclusion in queer performance. Ultimately, this research aspires to advocate for systemic changes that foster more equitable platforms for marginalized artists, enriching the queer performance landscape with greater diversity and representation.

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